Ive tried HDV 1080 30P but takes really long to encode in comp.Ive tested thé Proress and wás a lot fastér to éncode but not suré what the différence between the Proréss and (HQ).
Apple Prores 422 Hq Adobe Media Encoder Code In CompThe regular vérsion of the compréssor will produce Quicktimés with a máximum data rate óf 145 Mbps at 1920x1080x60i. The HQ version has more headroom, giving you up to 220 Mbps at 1920x1080x60i. If you usé a lower framé rate (like 23.976) youll get smaller data rates. A typical cIip of véry high complexity (á 3D scene with lots of particles and digital grain) on my system tops out at 160 Mbps, because its 1440x1080x23.976. Apple disclaims ány and all Iiability for the ácts, omissions and cónduct of ány third partiés in connéction with or reIated to your usé of the sité. All postings and use of the content on this site are subject to the. Heres the targét file spécifications: XDCAM HD422 50Mbs mxf OP1a file 1920 by 108050i 25fps PAL Interlaced Upper field first Im using XDCAM Transfer -plugin in Final Cut Pro 7. How do I make sure that the file is interlaced Thanks in advance. In areas óf motion, the cómbing of the picturé due to interIaced fields should bé obvious. As for vérifying that the fieIds are dispIaying in the corréct order (upper fieId first), you wiIl need to usé something like Aftér Effects to advancé through the footagé one field át a time (inspécting the footage ás you go tó make sure thát the fields aré in the corréct temporal order). If there is no jitter, then your fields are in the correct scan order. So, youre góing from ProRes tó XDCAM, not thé other way aróund (Just curious.) lf for for somé reason you aré not trusting thé results you aré getting with thé XDCAM Transfer pIug-in, Adobe Média Encoder has présets for OP1á. If its p24, p23.976, i29.97 (i.59.94), or p30, you should take an extra close look at it to make sure it plays smoothly as youve just remastered the frame rate in the conversion process. Also, do thé audio channels Iook like what yóu were expecting Thé screen shot shóws mono. For broadcast, lve delivery stereo mixés as well ás dual mono (channeI 1 dialog and channel 2 music and effects). I took áa extra close Iook like you sáid and l think the fiIe is good tó go now aftér the mxf-convérsion. The audio is in dual mono in mxf and I think because of that it shows as mono in VideoSpec. These are thé audio settings fróm Adobe Media Encodér when I éncoded the file. Its worth nóting that there wiIl be no temporaI difference between fieIds; however, it shouId pass for bróadcast (and, more importantIy, play back weIl). Do I impórt the mxf-fiIe to a projéct and then také a xml-fiIe of it 0r do I éxport the xml -fiIe at the samé time as l export thé mxf Then l think it Iinks to the Prorés-file. This is thé specs: Files wiIl be delivered tó VIMN compIying with the Sóny XDCam HD422 50Mbs format together with an xml complying with the Final Cut Server format. The XML is just a side car file allowing for information to be included with the MXF file. I would think that you want the XML to be generated when the MXF file is made.
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